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1 × R130.00 -
1 × R80.00 -
1 × R150.00
Subtotal: R360.00
Welcome to the world of Maimeri Oil Mediums, Solvents, and Varnishes! Here, you’ll find a bunch of goodies to spice up your traditional oil paintings. Whether you’re looking to thin out that paint, tweak the drying time, or just elevate your masterpiece to the next level, we’ve got you covered. With these bad boys in your toolkit, your oil paintings are about to level up faster than you can say “Van Gogh”.
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R215.00Maimeri Impasto Oil Medium
- Pigment-free oil medium
- Its consistency and body makes it suitable for painting in heavy coats
- Mixed with colours very rich in pigments, it reduces costs without altering their consistency
- It dries quickly and does not yellow
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R235.00Maimeri Oil Drying Medium
- This must have medium for oil paint artists speeds the drying time of oils, useful for layering and producing varied effects
- It speeds the drying time of oil colours
- Decreasing their consistency
- Use sparingly, checking the drying time
- 75ml
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R235.00Maimeri Oil Drying Gel Medium
- It speeds the drying time of oil colours, leaving their viscosity unchanged
- Use sparingly, checking the drying time
- Shake the bottle well before using
- 75ml
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R235.00Maimeri Safflower Oil
- Semi-drying oil recently introduced, with similar features to poppy seed oil
- It does not yellow
- Dries slowly
- It helps to soften and make more fluid oil colours
- Particularly suitable for white and very light colours
- 75ml
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R140.00
Maimeri Linseed Oil
- Drying oil
- It has the tendency to yellow
- Good drying time
- Used as medium, increases the brightness and glossiness of the colours
- Softens the brush stroke, so reducing its marks
- 75ml
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R180.00Maimeri Stand Linseed Oil
- High viscosity oil
- It has the tendency to yellow
- It imparts a very glossy finish
- Softens the brush stroke
- It is advisable to wait about one month before applying a final varnish
- 75ml
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R255.00Maimeri Walnut Oil
- Similar properties to Poppy oil
- It does not yellow
- Good drying power
- Increases the brightness of colours
- 75ml
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R255.00Maimeri Poppy Oil
- Valuable semi-drying oil of extreme purity and lightfastness
- It does not yellow
- Dries slowly
- It is particularly suitable for white and very light colours
- 75ml
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R425.00Maimeri Venetian Turpentine
- Amber solution, also called “Fatty essence”.
- It is used as medium for oven ceramic pigments
- Suitable as medium in oil painting
- It increases the gloss and flexibility of the painting
- 75ml
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R240.00Maimeri Dammar Varnish
- Final varnish based on a traditional natural resin obtained from trees of the family Dipterocarpaceae
- Tends to yellow
- It imparts a greater brightness and gloss to the paintings
- The normal amber colour and the possibility of a slight sediment do not compromise the final result
- 75ml
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R215.00Maimeri Painting Varnish
- Fatty straw coloured varnish
- Mixed with oil colours, prevents uneven drying
- Increases the brightness of colours
- Increases the adhesion to the support
- Improves the flexibility of colours
- Use sparingly
- 75ml
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R255.00Maimeri Gloss Picture Varnish
- Glossy varnish
- It does not yellow
- Particularly protective thanks to its UV filter
- Reversible product with White spirit
- Wait till the painting is fully dry before varnishing
- 75ml
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R255.00Maimeri Matt Picture Varnish
- Opalescent solution
- Produces a matt, very resistant film
- Shake well before using
- Do not apply on very absorbent surfaces, can cause appearance of silica matting
- First apply a layer of an insulating varnish
- It can be mixed with Gloss picture
- Varnish to obtain different degrees of glossy or matt effects
- Reversible product
- 75ml
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R240.00Maimeri Retouching Varnish
- Light final varnish
- Suitable to remove mat spots formed on unfinished areas, while painting
- Medium fast drying time
- It is also used as final varnish, when little gloss is required
- 75ml
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